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December 5, 2009 at 10pm to December 6, 2009 at 2pm – Print Media Lounge

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Let's Play House (Mixed by Dj Paulo Leite 25-10-09) by DJ PAULO LEITE
Started by DJ PAULO LEITE in Sample Title Oct 30.
Dj Curly @k@ Dat Girl & Dj Ninna V. at Soulgasm Club in NYC on November 18/09 Here will start my NYC Tour!! More deails will follow!!! Don't miss it!!!
Started by Dj Ninna V. in Sample Title. Last reply by Dj Ninna V. Oct 24.
Started by DJ PAULO LEITE in Sample Title Sep 14.
Another release on Soundgroove records Jaguar Paw Feat. Bass Rockwell - The Change ....mixes from Midnight Society& Glender https://www.beatport.com/en-US/html/cont Change - Download at Beatp...
Started by Kieran in Uncategorized Jul 25.
COMING NEW ALBUM SHUFFLE PROGRESSION - (THE BREAKS SESSIONS) FEELINGS & MEMORIES - THE REMIXES RELEASED BY TRONIC B7 RECORDS
Started by DJ PAULO LEITE in Sample Title Jul 20.
Hi there I would be grateful if you make The FREE download of this track Click the link below http://www.myspace.com/windows?homepage=djp you for your support
Started by DJ PAULO LEITE in Sample Title Jun 25.
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Started by DJ PAULO LEITE in Sample Title Jun 3.


Posted by DJ PAULO LEITE on November 16, 2009 at 3:18pm
Posted by DJ Macleod on November 2, 2009 at 6:31pm
Posted by DJ PAULO LEITE on October 30, 2009 at 12:36pm
Posted by DJ Macleod on October 20, 2009 at 8:06pm — 1 Comment
Posted by DJ Macleod on October 20, 2009 at 8:02pm
Posted by Dj Orpheu on October 12, 2009 at 7:45pm
Posted by DJ PAULO LEITE on October 2, 2009 at 7:43pm
Posted by DJ Macleod on September 24, 2009 at 12:30pm — 2 Comments
Posted by DJ PAULO LEITE on September 15, 2009 at 12:55am
Posted by Dj Phew on September 1, 2009 at 10:26pm
Posted by DJ PAULO LEITE on August 24, 2009 at 3:09am
Posted by DJ PAULO LEITE on August 24, 2009 at 3:09am
Posted by Northern Monkey on July 9, 2009 at 6:41pm
Posted by DJ PAULO LEITE on June 11, 2009 at 1:16am
Posted by Jerome Zambino on May 25, 2009 at 10:05am
Posted by Northern Monkey on May 23, 2009 at 9:25am
Posted by DJ PAULO LEITE on May 22, 2009 at 3:14pm
Posted by DJ PAULO LEITE on May 18, 2009 at 8:30pm
Posted by Dj Ninna V. on May 18, 2009 at 7:22pm
Posted by DJ PAULO LEITE on May 11, 2009 at 2:42am
One of the highlights from the 'Hyperdub 5' compilation, the extra-curricular stalwarts that comprise Darkstar continue to re-assemble their beautifully abstract shapes into patterns that flirt with the very idea of dubstep, but never really take its ethos on, preferring to exist outside. And this wonderfully charming track will delight all who listen; it's simply a gem. 18-year old Detroit resident and Omar S protégé Kyle Hall goes in deep and jazzy with the remix.
Some tunes really hit you in the soul receptors, and 'Wa6' by West Londoner and anti-socialite Harry Craze blows dust off the 45, and moistens the eyeballs. If J Dilla made dubstep, you'd get the same feeling; sweet strings bounce off mood-drenched synths and circulate the warmth. And whilst this won't set the dancefloors alight, it will start a fire in the soul. The flip is great too, but you'd be forgiven for never listening to it.
'What We Do' is a bad-ass groove underpinned by subby groaning bass, neat, tight percussion, some exotic animal noises and a housey chord, which gives it real warmth - a really well done groove track. 'Amour Fou' is also equally as pleasing but on a deliciously deep tip with its warm hypnotising chord paving the way for the groove. Halfway through the chord slips away and we're left with the percussive parts working away, increasing the intensity. Both tracks are winners.
The dulcet tones of Jamie Woon never fail to please, and some of his best work is backed by the phantasm of electronic music. Subenna does well here.
The highlight is easily Rick Wade's remix of 'Boomerang', with his signature style deep, yet powerful chordy drive with kickin' beats, high disco string line and big warm chords. A2 'Shui' is a track entirely focussed in the groove with its more reduced feel. B2 sees 'Boomerang' in its original form with lo slung subby bass and chopped, quirky vocals. Last up, 'Rocket' is another reduced tooly track. Burkhardt's tracks are solid but a bit like the other tracks, this lacks the musicality and soul we get from Wade's strong remix.
In a past life, Paul Rose, aka Scuba, was probably a pharmacologist or something equally scientific, as his song titles are often clinical descriptions of liquid states, or bizarre experiments with embalming. I wouldn't be surprised to discover that Mr Body Works, the Gunther geezer, was a fan of his music and regularly got inspiration for injecting penises with plastic from a night at Berghain. If you like Scuba, then this is more intricately abstract aural chemistry.
One-sided killer dancefloor bomb. Normally known for his more experimental excursions into techno, this is a fairly straight-up driving house track with kickin' beats and percussion, honky bassline and a huge sax interjection - which is bound to get them screaming. Without doubt dancefloor dynamite!
A pleasingly gratuitous double pack from TRG, Bucharest's best-loved producer, which sees him truly come alive on this expansive canvas. With eight golden opportunities to hunt down bass music over a battlefield of funky, techno, electro and even disco influences, this EP never feels like it stops to rest, presenting a sense of agitation and impatience to move forward. A robust re-visioning of dubstep, stretched and prodded to its funkier limits.
Dutch producer San Proper and Perlon seem like a strange pairing, but 'Raw' offers a modern take on Nu Groove's dark house, with 'December 10th' and the title track fuelled by eerie synths and menacing basslines. However, these are not mere retro tracks, and the robotic screeches, razor-sharp metallic riffs and ghostly organ stabs are enough to guarantee that 'Raw' is a proper modern anthem.
Cadenza put out a fine balance between more pumping functional club tracks and their more experimental detailed releases and this definitely falls into the first category. 'Everybody I Got Him' was first released on Groove On in 2000 and this re-rub brings it back. The track's based around a solid kick, with a restrained key riff that really builds, filtering up. It's very simple yet totally devastating. On the flip, '1992' has micro percussion, a resonating synth, bumping bass and diva-esque vocal snippets.
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